“Stay Friends” (2:40) was my big debut, and it still feels like the start of everything. I wrote it about that awkward space where you care about someone, but it’s not love—not the romantic kind, anyway. “You don’t give me […]
“Stay Friends” (2:40) was my big debut, and it still feels like the start of everything. I wrote it about that awkward space where you care about someone, but it’s not love—not the romantic kind, anyway. “You don’t give me […]
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